"Suicide" from 'Live and Dangerous' by Thin Lizzy: Guitar Lesson

Introduction

"Suicide," taken from Thin Lizzy's seminal live album 'Live and Dangerous,' is a masterclass in both songwriting and guitar techniques. With dual guitarists Scott Gorham and Brian Robertson at the helm, the song embodies everything a guitar aficionado would love: intricate chord progressions, mind-blowing solos, and nuanced articulation. Danny Gill takes a deep dive into what makes this song a classic that deserves a spot in every guitarist's repertoire.

Guitar Chords

"Suicide" mainly revolves around the power and energy of the A Minor and G Major chords. These root chords provide a powerful, blues-rock foundation that allows for more complex interplay up the fretboard. On top of this base, you'll find delicious ornamentations using barre chords and extensions that give depth to the harmonic structure of the song.

Guitar Scales

The soloing in this song leans heavily on the Minor Pentatonic scale, which is the bread and butter of many rock guitarists. However, what sets the solo apart are the occasional excursions into Mixolydian and Dorian modes. These modal changes provide contrast and enrich the solo sections, pulling the listener deeper into the emotional soundscape.

Guitar Solo Analysis

The solos in "Suicide" are nothing short of jaw-dropping. The first solo kicks off with a scorching ascending run, utilising fast alternate picking. This ascension leads into a series of double-stop bends that make the guitar howl in sonic ecstasy.

Brian Robertson then takes the spotlight with a blazing legato run, showcasing his flawless technique. Scott Gorham counteracts with some tapped harmonics, creating a shimmering soundscape. The interplay between the two is full of musical dialogues, showcasing not just their individual skills but also their extraordinary chemistry. It's a call-and-response interaction that is as much about virtuosity as it is about musical storytelling.

Lead Guitarists and Their Playing

Scott Gorham and Brian Robertson have styles that are both distinct yet complementary. Gorham's style is more melodic, grounded in blues, and can be quite soulful. His attention to phrasing is remarkable. Robertson, on the other hand, is the fire to Gorham's ice. He's known for his aggressive alternate picking and speedy legato runs, bringing an almost punk-rock energy to the table. When their styles combine, it's like lightning in a bottle, resulting in something that transcends the typical rock guitar work.

Guitar Techniques Used in "Suicide"

1. Vibrato
2. Alternate Picking
3. Legato
4. Tapped Harmonics
5. Double-Stop Bends
6. Barre Chords
7. Hammer-Ons
8. Pull-Offs
9. Power Chords
10. Arpeggios
11. Harmonics

By exploring this rich tapestry of techniques, any guitarist can expand their toolbox and deepen their appreciation for what makes "Suicide" a timeless classic. Whether you are a beginner looking to understand the foundation of rock guitar or an experienced musician aiming to dissect complex solos, this song has something for everyone. Dive in and let the twin guitars of Scott Gorham and Brian Robertson guide you through a journey that you'll not easily forget.